You could hardly find anyone with a bad thing to say about Pronsato’s Silver Cities full-length last year, which is why I tried to stay silent on it. That being said, “Wuorinen” reminds me much more of Pronsato’s DJ sets, about which I have nothing but kind things to say (Go see him live, you won’t regret it.). The song is first-rate microsurgery-house, intersplicing elements that only begin to make sense later on, but never take away from the moment. And it’s funky as hell. Jackmate’s remix is stellar—exactly the sort of smooth rejoinder to the semi-schizophrenic original. It’s “Live in Cascadia” that I keep coming back to, though, which takes the best elements of both tracks that come before it for an epic B-side of dubby micro-house that shouldn’t be missed.

— Todd Burns, Stylus

Und schon wieder Pronsato, diesmal wieder auf Orac und mit Tracks die so funky und subtil sind, dass man ihn gar nicht wiedererkennen kann. Sehr relaxt, in den Sounds weniger spleenig aber viel konzentrierter und dabei so verdammt deep und weit draussen, dass es einem die Ohren weit weit öffnet. Hypnotischeste Platte von ihm bislang.

And already again Pronsato, this time back on Orac and with tracks that are so funky and subtle that one can’t recognize them at all.  Very relaxed, in the sounds less full of spleen but more concentrated and thereby so buried deep and far outside that it stretches the ears wide wide open.  His most hypnotic record so far.

— bleed, de:bug

Seattle’s most sought after minimal imprint returns with their latest offering from the talented and mysterious Bruno Pronsato. As with his previous releases, Bruno flexes his technical know-how with two tracks of crisp, bubbly future music. These tracks are alive with blips, bleeps, blurps and burps—Robotic grooves indeed! Jackmate even joins the festivities, twisting “Wuorinen” into a refined yet manic marcher.

— Dean DeCosta, BPM